Do you remember your first time?

Reading your favorite mystery novel, that is. What did you think I was talking about? Get your mind out of the gutter and join me as I talk about the first time I read a book by one of my favorite authors, Sue Grafton.

Back in the early nineties, I was working at a home for unruly children. There’s probably a better term for this, but at the time that’s what I called it. I worked the third shift and part of my duties included sitting in the back hall at night and making sure that the girls on the unit stayed in their rooms. I occasionally had to walk around and check each room to make sure that they were, in fact, sleeping and not hurting each other. For the most part, they behaved, so it was a fairly easy assignment. We were allowed to read while we sat in the back hall, since there was really nothing else to do. So, one night I grabbed a random book from the shelf in the office before venturing back to my post. The title was, simply enough, “B is for Burglar.” I thought it sounded fairly mild and that it wouldn’t require much thought on my part, so it seemed like a good choice. Little did I know that waiting for me beyond that cover were pages of a story that would inspire me to start writing my own mystery series.

It was around 1993 or ’94 and the book had been published in 1985. The author, was Sue Grafton. One of the reigning queens of mystery (in my opinion). And after reading this book, which was the second book in the series, I immediately went in search of the first book. And from there, I later read every single one up to the very last book Grafton published before she passed away in 2017. I read them in paperback and listened to the audiobooks throughout the years, sometimes several times over. They were comforting, in the way that old television reruns are a comfort. And when I needed inspiration or just motivation to keep going, listening to Kinsey Millhone work her way through a case without the help of the internet, cell phones, or other modern-day accoutrements was refreshing. It reminds me that anything is possible no matter what it may look like on the surface.

In 2006, I actually received some advice in a letter from Ms. Grafton. Unfortunately, it was not what you’d call uplifting. It was early in my writing career and I had stupidly sent her a copy of my first book, In the Wash: The Rona Shively Stories. She had read a few chapters and then decided to let me know that my work was substandard, in her opinion. I had been so hurt by her feedback that for a time, I couldn’t even look at her books for several years after that. In the letter, she made the snap judgement that my first attempt at a hard-boiled private eye novel was something I’d not taken seriously and implied that my motivation was simply to be published quickly and get famous. She decided this without knowing anything about me and I was so absolutely deflated by her comments that I nearly trashed the whole writing thing. But I knew that my motivation had never been anything so lame or pretentious as just wanting to be published or popular, so I decided to press on. She had no idea how many hours I’d spent in the library researching all of the pieces of the plot I’d put together in my head. She had no idea that I’d been discouraged from being a writer when I was still a teenager and that I’d only just picked it back up after nearly fifteen years of not writing. She had no idea that the birth of my first and only child had inspired me to try writing again. Or that reading her books was why I had decided to write a book in the first place. She just assumed that I was another of hundreds of amateur writers who would never put in the kind of time and energy she’d put into her novels. But she was wrong. She was an excellent author, but God rest her soul, she knew nothing about me, my personal struggles, or what kind of writing I was capable of and her criticism became the number one reason why I went on to write books two through ten of The Rona Shively Stories series.

Eventually, I did read the rest of her books, as I indicated above. I read the whole series and was always impressed by how she could weave a story together so vividly and with so much detail. She was an excellent writer and I’m truly sad that she did not get to finish the Kinsey Millhone series. It’s probably one of the greatest injustices a writer can suffer; leaving a great series unfinished. But no one will ever be able to write Kinsey like she wrote Kinsey. And no other author should want to do that. As authors, we should want to write our own characters in the way that we want to write them. And we should write unapologetically, using our experiences and the skills that God has given us to create stories of our own; stories that will speak to readers as no other author’s stories can. Her words may have ripped my heart out at the time (even if that wasn’t her intention), but in that pain I found what I needed to justify writing Rona the way I wanted to write her. She was my character and my characters don’t always know everything they need to know when they need to know it. My characters are on a journey, trying to figure out what it all means and why we bother.

Ultimately, Grafton’s words did motivate me to become a better author and to help others get their stories out there (hopefully without ever making them feel as low as I felt back then). I’ve always felt that there is more than enough room on the stage for all of us. Writers who have just started and writers who have been around a while. And I never saw the logic in making someone feel terrible about their writing if they had the courage to at least try it. Everyone has a story to tell; some may not be as exciting or endearing as others, but they don’t have to be. We can all learn from one another’s experiences and if someone wants to try and share those experiences in a book, what harm does it do to encourage them to do just that? As a publisher now, I always try to look at the stories I receive through the lens of someone who is looking for advice in whatever the subject mater area presented in a manuscript may be. Some are a fit for my company, some aren’t. But that doesn’t mean they aren’t serious about writing. Or that they shouldn’t bother. We can’t all be Sue Graftons or Lisa Scottolines or James Pattersons or Janet Evanoviches (pardon the pluralization on these). It would be ever so boring if we all were. I’d much rather be Rebecca Benston writing Rona Shively and reading all of these other great authors who have given me such inspiration and joy over the years. I think that’s how it’s supposed to be.

Rebecca Benston is the owner of Higher Ground Books & Media and the author of over twenty titles currently available through Amazon and other outlets. Her books include a mystery series (The Rona Shively Stories), empowerment resources such as Wise Up to Rise Up, Don’t Be Stupid (And I Mean That in the Nicest Way), and From Judgment to Jubilee, children’s books including Grumble D. Grumble Learns to Smile, All the Scary Things, and See How Strong You Are. Benston lives in Springfield, Ohio with her awesome daughter, Mya and enjoys traveling, reading, writing, and telling it like it is. She enjoys being able to help other authors get their stories out there through Higher Ground and has recently expanded her freelance services to offer more extensive guidance as a writing coach and social media manager. For more information, you can contact Benston at highergroundbooksandmedia@gmail.com.

I don’t have all of the answers…

but I’ve got a few of them. I recently came across an article in one of the online newsletters (Writers Online Workshops) to which I subscribe about the “Five Hard Questions You Must Answer to Succeed” as a writer. I pondered them for a moment and figured, what the hell, I’ll give it a shot. So, here are my answers:

Five Hard Questions You Must Answer to Succeed

Who are your favorite authors and why? Lisa Scottoline because she writes about real people and real problems. She also happens to be a wonderful person and I’m truly inspired by her. Janet Evanovich because she explains things in plain English. She doesn’t try to fancy it up and she knows what she’s talking about. Aside from her Stephanie Plum series, I truly enjoyed her “How I Write” book and use it as a guide in my own writing. J.A. Konrath because he’s a fun and talented writer who can really give you the creeps. And I mean that in the most complimentary way. Sarah Strohmeyer for making a character that is so likable in her Bubbles Yablonski books.

What do they do that grabs your attention and keeps you turning pages?
It’s a combination of being able to relate to what’s happening and having felt a connection to what the author is saying. Some writers grab you with their first sentence and you just know that you want to keep going. If it takes twenty pages for me to connect with a writer, then I just can’t spend the time reading them.

What keeps you coming back to your favorite genres? The characters. I believe that we create a relationship with our favorite characters and we look forward to finding out what they are doing with each new story. That’s what draws me to mystery series. You get to shadow your favorite P.I. or Amateur Sleuth while they figure it all out and you don’t even have to dodge the bullets. It’s great for those who like to live vicariously through more adventurous types.

What compels you to write fiction/ memoir/ poetry? It gives me somewhere to vent mostly. If I have something I want to say, I can say it through my characters and get my point across without sounding like I’m preaching. I have a few pet causes that I love to talk about, one being women’s empowerment. I hope that through my characters, I am showing women in a positive light and in a way that makes them feel more empowered to speak their minds.

How will you make sure that your own work grabs and keeps your readers’ attention every bit as well as your own favorites capture you? I’ll keep it real…and not like Dave Chappelle real…just true. The emotions of the characters need to come from the same place they come from for me. I don’t want to read about how it should feel to experience something and then try to paint that into my storyline in some attempt to be politically correct. If something feels like hell, I want to say it and make the reader understand that pain. Sometimes, things aren’t pretty and I think it’s important to show characters warts and all. I hope that I am always able to do that in my writing.

This was a fun exercise. I’m always surprised to find out something new about myself when I answer questions like these. Then again, I seem to surprise myself all of the time. But that’s another post.

Until next time…

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