I’ve always loved a good mystery. In reading, I prefer a good whodunit to almost anything else. Whether it’s the witty charm of a Kinsey Millhone or the brazen determination of a Stephanie Plum, I would never choose to read straight fiction over a mystery novel. I think this is why, when I started writing my own books, that I chose to write a mystery series. Although I had little experience with writing this genre, I was compelled to try my hand at putting together storylines that sort of drag the reader into a big mess. Was I successful? Who knows? That, in and of itself, is a mystery.

I was once told by a famous author that I should never have tried to journey into the intricacies of writing mystery without first having tried my hand at mainstream fiction. Her exact words were, “I advise novice writers to conquer the basics of characterization, plotting, tone and narrative in straight fiction before launching into the mechanics of the mystery.” Not bad advice, but certainly a little discouraging for the aspiring mystery writer. If I had no desire to read straight fiction, how would I go about writing it? My plot ideas always come out the same way, someone gets killed or wronged in some other way, my main character tries to figure out who is responsible for it, and everyone eventually finds out who, what, when, where, why and how. I like to throw in some awkward situations for entertainment value and occasionally, my characters have substantial epiphanies that keep them motivated to figure out what has happened. I’m not sure I could comfortably write straight fiction. I couldn’t stay interested enough in what I was writing.

Before I wrote the first two books in my Rona Shively mystery series, I checked out nearly every mystery writing book in our local library and looked at hundreds of websites on how to write, plot and develop your voice. I wanted to make sure that I was doing the right things and that my writing technique followed whatever patterns a good mystery writer should follow. After all, my qualifications for writing a mystery were pretty much made up of my tendency to read three mysteries at any given time, watch shows like Law & Order, CSI, and reruns of The Rockford Files, Charlie’s Angels, and Starsky and Hutch. I have an inquisitive mind, what can I say?

I have thought about branching out into other genres and have even gone so far as to write a short horror story. In my mind, it still played out much like a mystery, only scarier than normal. The reason I write this post today is because I am at a point where I’m considering taking my mystery series in a new direction. In thinking about where I’ve been and where I would like to go with my writing, I know that I still want to be a mystery writer. I only hope that my series gets better and better with each intallment. In spite of my lack of professional experience, I want to be able to put together stories that are as compelling and entertaining as those I enjoy reading. My favorites, Janet Evanovich, Lisa Scottoline, Sarah Strohmeyer, and even Sue Grafton have inspired me to continue writing and trying to make my characters as intriguing and engaging as those they present.

For writers, do you have a preference of genre? If so, which ones? And what led you to that preference? I am wondering if any others out there feel that it is important to be an avid reader of your genre in order to effectively write within it. Readers, feel free to add your two cents. Just a conversation starter on this dreary Tuesday morning.

Until next time…